Part Four of Chilling Adventures Of Sabrina is going to be a wild ride! Get ready!

Sabrina, Ambrose and Nick in Part Four – Episode One

With less than a week to go, the wait for the final part of Chilling Adventures Of Sabrina is nearly over. I got the wonderful opportunity to watch the first episode earlier this week, and I’m telling you all to get ready for a wild ride.

(Spoiler Alert 🚨)

Double trouble: Sabrina Morningstar and Sabrina Spellman

Part Four takes place a while after the events from part three. There are two Sabrina’s and while Morningstar in hell seems to be enjoying her time down below with a certain clay man, Sabrina Spellman seems to be having trouble finding her place among her friends, family and coven. Her friends are settling into a normal school routine, while Aunt Zelda has rededicated the academy to Hecate and is the headmistress.

Soon enough though, trouble finds Greendale in the form a dangerous darkness that attacks the towns occupants. This gives Sabrina the excuse to visit the person she wants to talk to the most – the other Sabrina who is reigning in hell. When the two get together, chaos ensues as they soon realizes that the darkness is only the first of what is to come.

I thought the continuation of season two got off to a really strong start and the first episode is jam packed with adventure. The ships that you love are making a comeback, with some new and a surprising ones that kind of take you off-guard. Get ready for a wild ride and be sure to catch part four on December 31st only on netflix.

History of the Met Gala

Aside from various fashion weeks throughout the year, the Met Gala has got to be one of the biggest events in the world of haute couture.

Celebrities and the like step out on this one night of the year in the most gorgeous (sometimes otherworldly) pieces of haute couture created by various fashion houses around the world. If you want to make a scene in the fashion universe – make a jaw dropping dress(or ensemble) for the year Met Gala.

Today marks the 21st year that the event has had a theme but the festive celebration has been around since 1948!

Blake Lively In Versace - Met Gala 2018

(Pictured- Blake Lively In Versace at the 2018 Met Gala – Heavenly Bodies: Fashion and the Catholic imagination)


If you want to know how the Gala got its big start, you need to start from the beginning and the woman who founded it – Eleanor Lambert.

Born in 1903, she attended the John Herron School Of Art as well as the Art Institute Of Chicago before starting an advertising company in Manhattan that specialized in artists and art galleries(dealing with people like Salvador Dali, Isamu Noguchi, and Jackson Pollock).

(Pictured – Lambert at the beginning of her career)

In the 1930s Lambert was the first press director of the Whitney Museum Of American Art with also helping found the Museum Of Modern Art and the Art Dealers Association Of America. She continued her creating streak well into the 1940s where she found the International Best Dresses List, C.F.D.A Awards and New York Fashion Week (Yes – she founded NYFW!)

It was at the end of the 1940’s that Eleanor establishes the Met Gala as a way to raise money for the newly-founded Costume Institute and to mark the opening of its annual exhibit. This was back in 1948 and if you would believe it – the tickets were only fifty bucks each!

These early galas were kind of different then the ones we know today. The first few decades of the Met Gala’s existence it was simply just another charitable benefit of New York high society, with the attendees being from the upper class and fashion industry.

(Pictured- Cher wearing the infamous Bob Mackie Naked dress: Met Gala, 1974)

The formality began to change in the 1970s when Vogue-Editor-In-Chief Diana Vreeland became consultant to the Costume Institute. Breathing life into a monotonous yearly benefit, with the help and encouragement of Vreeland, the Met Gala began to take the shape of the fashion showcase we know and love today. It was during these years that the gala began to actually be held at the Met Museum and when Gala Themes were introduced.

Below are the Gala themes each year beginning in 1971 to this years:

  • 1971–1972: Fashion Plate (October 1971 – January 1972
  • 1972–1973: Untailored Garments (January–July 1972)
  • 1973–1974: The World of Balenciaga (March–September 1973)
  • 1974–1975: Romantic and Glamorous Hollywood Design (November 1974 – August 1975)
  • 1975–1976: American Women of Style (December 1975 – August 1976)
  • 1976–1977: The Glory of Russian Costume(December 1976 – August 1977)
  • 1977–1978: Vanity Fair: A Treasure Trove(December 1977– September 1978)
  • 1978–1979: Diaghilev: Costumes and Designs of the Ballets Russes (November 1978 – June 1979)
  • (Jacqueline Kennedy Onassis wearing Valentino at the Costumes and Designs Of the Ballet Russes Gala, 1979)
    • 1979–1980: Fashions of the Habsburg Era: Austria-Hungary (December 1979 – August 1980)
    • 1980–1981: The Manchu Dragon: Costumes of China, the Chi’ng Dynasty (December 1980 – August 1981)
    • 1981–1982: The Eighteenth-Century Woman(December 1981 – September 1982)
  • (Pictured – Iman wearing Calvin Klein for the Eighteenth Century Woman Gala, 1981)
    • 1982–1983: La Belle Époque (December 1982 – September 1983)
    • 1983–1984: Yves Saint Laurent: 25 Years of Design (December 1983 – September 1984)
    • 1984–1985: Man and the Horse (December 1984 – September 1985)
    • 1985–1986: Costumes of Royal India (December 1985 – August 1986)
  • (Pictured – Cher wearing Bob Mackie for the Costumes Of Royal India Gala, 1985)
    • 1986–1987: Dance (December 1986 – September 1987)
    • 1987–1988: In Style: Celebrating Fifty Years of the Costume Institute (November 1987 – April 1988)
    • 1988–1989: From Queen to Empress: Victorian Dress 1837–1877 (December 1988 – April 1989)
    • 1989–1990: The Age of Napoleon: Costume from Revolution to Empire, 1789–1815 (December 1989 – April 1990)
    • 1990–1991: Théâtre de la Mode – Fashion Dolls: The Survival of Haute Couture (December 1990 – April 1991)[43]
    • 1991–1992: Gala held, but no concurrent costume exhibition
    • 1992–1993: Fashion and History: A Dialogue(December 1992 – March 1993)
    • 1993–1994: Diana Vreeland: Immoderate Style(December 1993 – March 1994)
    • 1994–1995: Orientalism: Visions of the East in western dress (December 1994 – March 19
    • 1995–1996: Haute Couture (December 1995 – March 1996
    • 1996–1997: Christian Dior (December 1996 – March 1997)
  • (Princess Diana at the Costume Institute gala for “Christian Dior” in 1996.)
  • (Pictured – Naomi Campbell wearing Versace, accompanied by designer Gianni Versace and his sister Donatella, 1996)
    • 1998–1999: Cubism and Fashion (December 10, 1998 – March 14, 1999)
    • 1999–2000: Rock Style (December 9, 1999 – March 19, 2000)
  • (Pictured – Amber Valletta at the Rock n’ Roll themed gala, 1999)
    • 2001: Jacqueline Kennedy: The White House Years (May 1 – July 29, 2001)
    • 2003: Goddess: The Classical Mode (May 1 – August 3, 2003)
    • 2004: Dangerous Liaisons: Fashion and Furniture in the 18th Century (April 2?, –August 8, 2004)
    • 2005: The House of Chanel (May 5 – August 7, 2005)
  • (Pictured – Mary Kate and Ashley Olsen wearing Oscar de la Renta for the House Of Chanel Gala, 2005)
    • 2006: AngloMania: Tradition and Transgression in British Fashion (May 3 – September 6, 2006)
    • 2007: Poiret: King of Fashion (May 9 – August 5, 2007)
    • 2008: Superheroes: Fashion and Fantasy (May 7 – September 1, 2008)
    (Pictured) Beyoncé, David Bowie and Iman attend 2008’s “Superheroes: Fashion and Fantasy” gala
    • 2009: The Model As Muse: Embodying Fashion(May 6 – August 9, 2009)
    • 2010: American Woman: Fashioning a National Identity (May 5 – August 10, 2010)
    • 2011: Alexander McQueen: Savage Beauty (May 4 – August 7, 2011)
  • (Pictured – Hailee Steinfield wearing Stella McCartney at Alexander McQueen’s ‘Savage Beauty’ Gala, 2011)
  • (Pictured – Amanda Seyfried in Givenchy Haute Couture at the China through the looking glass gala, 2015)
  • (Pictured – Virgil Abloh wearing Louis Vuitton at the Heavenly Bodies Gala, 2018)
    • 2019: Camp: Notes on Fashion (May 9 – September 9, 2019)

    Every year the Met Gala red carpet amazes the world with the creativity and hard work these fashion designers have done to transform imagination to reality. I can only fathom what tonight will bring! Happy Gala day everyone! 💋


    1. Friedman, Vanessa (May 3, 2018). “What Is the Met Gala, and Who Gets to Go?”. New York Times. Retrieved August 22, 2018.
    1.  Whitworth, Melissa (April 28, 2011). “Countdown to the Met Ball 2011”. The Daily Telegraph. Telegraph Media Group Limited. Retrieved May 4, 2011.
    2. Bourne, Leah (May 5, 2011). “Everything You Ever Wanted to Know About the Met Gala (But Were Too Afraid To Ask)”. NBC New York.

    Karl Lagerfeld – A reflection on a life well lived

    Earlier this week I woke to find out that the world had lost an icon. Karl Lagerfeld, one of the most well known fashion designers passed away at the age of 85. While many are heartbroken and unsure of what to expect from the future of Chanel and Fendi – I am reflecting on what I see as a long life well lived. As a man who’s love of making people look chic and stylish. As a person with an amazing work ethic that drove him to continue his amazing career right to the end of his long and achievement filled days.

    Why should I stop working? If I do, I’ll die and it’ll be all finished.” ~ Karl on Retirement

    He might not have had a particular design in which he invented, but nonetheless he was a new type of fashion designer at the time he came to the scene over sixty years ago.

    We first see Lagerfeld in 1954 when he won first prize (his runner up being other fashion legend Yves Saint Lauren) in a contest held by the international wool association. He designed a coat which was produced by Balmain, who afterwards, offered the seventeen year old a job as his assistant.

    From there he moved on to become the art director for Jean Patou, and then onward to Chloe in 1964, Fendi in 1965 and Chanel in 1983. A year later Karl created his own house bearing his name while continuing collaborations with both Fendi and Chanel.

    One thing could be said is that Lagerfeld completely reinvented Chanel into the luxury powerhouse it is known as today.

    While others may have varying impressions of this iconic figure who was rarely seen without his famous sunglasses – to me he was an inspiration. The man was an outright visionary, who at times I felt had some otherworldly inside source telling him the future of fashion trends.

    I read many biographies and autobiographical works as part of my never ending obsession with fashion and history. While I relate to other designers (Yves Saint Laurent) on a personal note, Karl Lagerfeld was always that designer that I admired for his work ethic.

    Many artists and designers in the fashion industry crumble under the pressure of having to deliver five to six collections a year (sometimes not including pret-a-porter) – and that’s typically one Haute Couture house alone! Lagerfeld not only seemed to thrive under the pressure of presenting so many collections, but he did so by doing this for multiple fashion houses!

    Sure – the likes of Saint Laurent and McQueen have burned bright but it’s like a famous saying ‘The Star that burns twice as bright, only burn half as long.’ Lagerfeld Burned with a consistent flame that was not only stability but the drive the modern fashion industry needed to thrive and survive.

    Aside from designing for various fashion houses, Karl also drew illustrations for books (he drew 90 for the fairy tale classic The Emperors New Clothes by Hans Christian Anderson), and had a love of photography.

    He was also a fellow book lover. His library can attest to his passion for learning and gathering inspiration for his collections. Working with the elderly for years now, I can tell you that many of them have told me that keeping your mind and body active helps you stay young. The mind never stops learning and I believe Karl embraced this to the fullest.

    While the world seems a bit dimmer without this shining star, there is a lot we can take from his life and his legacy. I’ll end this article with one of my favorite quotes he made that I often look back on when I’m having a particular hard time with life –

    Don’t sacrifice yourself too much, because if you sacrifice too much there’s nothing else you can give and nobody will care for you.”

    Thanks Karl, for the inspiration, amazing fashion and wittiness. ❤️

    Favorite Emmy Lewks 2018

    This is a bit late being posted up on here but I couldn’t not post my favorite styles that walked the red carpet for this year’s annual primetime Emmy Awards.

    One of the things that I love about award shows is seeing what everyone steps out in. Some people like playing it safe and classy while others like to push the envelope and strut the red carpet in something daring.

    There were so many amazing lewks this year that it took me a while to narrow it down to my top six (it was going to be five but I just couldn’t chose which dress I loved more 🤭🤭).

    Number 6: Madelaine Petsch In Prada

    I just love this green and gold layered strapless ball gown that reminded a lot of people of Anna’s dress from Frozen. 💯💥

    Number 5: Tiffany Haddish in Prabal Gurung

    When comedian Tiffany Haddish stepped onto the red carpet in this colorful number by Prabal Gurung I was awed. Then I found out that not only over 100 yards of pleated chiffon was used in this masterpiece, but the colors represent the Eritrean flag 🇪🇷. How cool is that?

    Number 4: Sydney Sweeney In Reem Acra

    She’s stepped out this year in shows such as The Handmaid’s Tale, Sharp Objects and Everything Sucks – Sydney Sweeney took to the red carpet in a gorgeous gown by Reem Acra. Talk about pretty in pink! 🎀💄

    Number 3: Sadie Sink In Hiraeth

    What more can I say? I absolutely adore this white custom designed gown that Sadie wore! Made by Hiraeth, a LA based vegan fashion brand by Rooney Mara, The dress is cotton poplin with a floral lace overlay. On the sleeves are intricate floral appliqués made with vegan leather. It’s not only elegant but organic as well!

    Number 2: Millie Bobby Brown in Calvin Klein

    Continuing on with my favorite looks for the Emmys this year – once again Millie B Brown slays the red carpet with this elegant Calvin Klein gown! I seriously love this one – it has that Victorian feel to it. Kind of like those gowns with the crinoline petticoat and hoop skirt that didn’t quite reach the ankles for younger girls.

    Number 1: Joey King in Zac Posen

    My number one dress this year wasn’t a tough choice. As soon as I saw Joey King make her Emmy debut in this princess gown I was stunned!

    This tulle masterpiece was made for the red carpet and for a ball 🎀

    What was even more awesome was that designer Zac Posen attended the Emmys with Joey to fluff her up for photos and just overall supporting and helping her look her best! Now that’s what I call a dynamic duo!

    Costume Design Favorites

    I think I’m going to continue with a costume design or fashion favorite of the day. Today it’s All About Eve. More so, this iconic dress that Eve wore designed by the amazing Edith Head. Originally the role of Eve was landed by Claudette Colbert, but after an accident during another role it landed into the lap of movie legend Bette Davis. Davis insisted that Head design her wardrobe which didn’t make Charles LeMaire, (Twentieth Century Fox’s head of wardrobe department) too happy. This was Bette Davis though and knowing how quickly things could go south for people on Davis’ wrong side, he had no choice but to collaborate with Edith Head.

    Incorrect measurements could have ruined this dresses moment in screen but luckily Davis loved the idea of having her shoulders exposed (which meant that production wasn’t stalled to fix this!) 💋💄

    All About Eve went on to revive fourteen academy award nominations, winning six of them – which included Best Costume Design!

    Monday thoughts – Bell bottoms

    Bell bottoms have their roots in the Navy as that is where they can be traced back to. The lower part of their uniform consisted of pants cut into a Bell shape from knee to ankle. The second photo shows my Grandmother Evelyn and her older sister Genevieve playing dress up with their brother Stanley’s Navy uniforms- don’t they look fabulous?!?!💖. The third photo is my Great Uncle Stanley wearing his own uniform.

    The bell shaped pants were easy to roll up and did not get waterlogged when sailors we swabbing the desk – also they could be removed over boots!

    It wasn’t until the 60s that these trousers made their way from navel uniform to Haight-Ashbury and then the world.

    After disappearing for a decade or so they made their comeback in the mid 90s in the form of the boot-cut.

    Recently designers such as Derek Lam, Gucci and Marc Jacobs have come out with super cute retro flares. I myself own a pair of Marc Jacobs and have become one of my favorite pairs.

    I think it’s safe to say that the bell-bottom is here to stay and we’re okay with that. 💖

    ~ Tiffany

    Fashion History, Feud, and Feminism with Kiernan Shipka (Moved from my old site -October 2017)

    Artwork by: Shaun Nicole Williams

    Fanart by: Ryley Welch

    Text and interview by: Tiffany Ferrell

    A few weeks ago I got to talk to one of the most informed seventeen year olds when it comes to the fashion world. Kiernan Shipka got her big break playing the daughter of Don Draper in the hit show Mad Men. Since then she has been in a number of period pieces including FX’s Feud: Bette and Joan playing B.D. Hyman, daughter of the infamous Bette Davis, and Flowers In The Attic as well as more modern films like The Blackcoat’s Daughter and Fan Girl.

    Aside from being a totally fashionable and chill seventeen year old, Kiernan is quite the fashion history buff and aside from talking about her role in Feud and about feminism, we also fangirled about some amazing iconic figures in fashion history like Edith Head and Grace Kelly.

    Tiffany: If you could take home any of the dresses you wore in Feud, which would you and why?

    Kiernan: Oh my gosh, It’s actually not a dress but if I could take home anything from B.D.’s costume it would be the white pants she wore that had a big cat on the side. They were so cute and fun and she wore them with the little blousey crop top and pants. It was matching and cute, but I think you could do that in a real modern way. Who doesn’t want a pair of pants with a giant cat on the side.

    T: How did it feel playing a controversal person like B.D? I read ‘My mother’s keeper’ and ‘Mommie Dearest’. She seemed to get a lot of negative output from her book compared to Christina Crawford.

    K: It was interesting playing someone that was a real person and that there was footage of, but what i was really interested in is that there wasn’t much about B.D. during that specific time in her life that I was playing her. With anything I wanted to bring humanity to the character and you want to bring a sense of understanding along with you while you’re playing a person. For me it was really just about not thinking about her as we know her now so much as thinking about her in that present moment. Really just focusing on the relationship between her and her mother that obviously developed and changed over time but at that moment it was what it was. That loving but often turbulent relationship.

    T: I’ve also read some Bette Davis biographies too and after that book came out I can see a mom getting mad, but she just completely cut her out.

    K: It’s definitely interesting and it’s a fine line considering where they are now or where they were 10, 15, 20 years ago and who they were in that moment. For me it was trying to stay as present as possible with her.

    T: How did it feel to play a mother with two kids in that last scene that you had on Feud? I mean was it weird?

    K: You know I really did not expect that coming because we were getting the scripts week by week. I was like oh! Now I’ve got two kids. How am I gonna dive into this? Yeah that was something totally new. I mean I got dogs, I feel like thats the most maternal part of me I can channel so it was sort of just about making BD feel different because it was such a time jump. It was important to me that she felt a new sense of priorities and a new sense of self. At that point in her life she had a lot of familial stability and when I was playing her before that she was kind of emotionally in a bit of an existential crisis. It was really important for me to make her tone feel a little bit calmer and more controlled and mature. That strong love that you have for a child. I asked around a bit then I kind of just went from there.

    T: If you could choose any period role what would it be?

    K: I mean I feel like right now I’m just on this sixties role! I don’t know if I’ll leave anytime soon at this rate, but if i could pick another era I think I would love to do an eighties thing. I think that could be really fun! Like something a little more wild and fun and edgy and on the cusp of modern but just a little bit different.

    T: If you were able to meet one iconic fashion designer from history and spend a day following them around, who would it be?

    K: That’s a really good question! If I could follow Edith Head around for a day and watch her work I think that would be insane! She probably had a ton to do and just like hearing, watching someone sort of create this story behind the outfit would be like watching the ultimate stylist at work.

    T: So I heard you were a Grace Kelly fan. What was your favorite movie of hers?

    K: I mean Rear Window man is totally like top, And you know To Catch A Thief is also is insane.

    T: Did you ever have a specific dress or iconic outfit of hers that was just like “It” for you?

    K: I think that as far as outfits go I loved her Oscar look. I mean I really thought it was like the epitome of classic Grace. And then also that teal silky number —I also loved that one giant tulle skirt that she wore that was kind of ballerina inspired with the tight black top.

    T: I always loved her casual style too. She was so ahead of her time.

    K: It was so effortless

    T: A lot of the stuff she wore just going to the beach everyone wears now. It’s like man, she just called it.

    K: I know it’s so true! she did call it!

    T: Besides Grace do you have any other historical fashion icons

    K: I mean for me growing up and learning about fashion it was really just a combination of being on Mad Men and being surrounded by it as well as just getting super interested in current fashion and what was happening at the moment. I was always pretty obsessed with it, so as far as fashion icons go its funny because theres so many peoples styles that I absolutely love past and present. I kind of taken fashion from everywhere and absorb it.

    T: What are some of your favorite books? Anything recent that you have read?

    K: I just read a book called Marlena which I loved. My friend Emma Roberts has a new book club online called Belletrist; it was one of the selections. It is awesome and that is the most recent book that I read from Belletrist and I thought it was so good.

    T: That one is on my list.

    K: You gotta do it; it’s super duper good!

    T: What are some of the challenges you have faced so far in your profession?

    K: It’s a hard line of work because it’s emotionally very taxing at times. It’s a whole lot of rejection that people don’t see. Nine times out of ten you’re told no. Nine times out of ten –‘you’re too this’ or ‘too that’ and it could get to a point where if you’re not having a good day and pile that on too it can get really hard, and that’s part of it. It’s my job and I love it but it definitely comes with a slew of rejection that is not normal in most other jobs. It’s something that you kind of get used to and acclimate it over time and it just is what it is but that doesn’t mean that from time to time that it doesn’t pose its own challenges. And I think that navigating the whole industry and handling the unpredictability of it because I consider myself to be quite the planner and that’s one part of my life and existence that I don’t have much control over because you never know what’s going to happen. You can only plan so much and it’s about learning to accept that. I think it’s actually a pretty good exercise for me to be in this business because you almost have to be more chill than you want to be because otherwise you’re just going to go crazy.

    T: I know you have said that your parents are a big support system, but do you have other support like friends etc. to help cope with all of this?

    K. Yeah, definitely. I think having an outside life from acting and having friends and family, and life experiences does more for your acting and your depth and your experience than sometimes you even think it does. For me growing up on Mad Men I was really lucky. I was able to have this amazing job but I wasn’t working 24-7 so as a six year old, seven year old, eight year old I could make friends that I still have now and have these experiences that sort of balanced this abnormal, incredible experience I was having. It’s about balance for sure.

    T: If you weren’t in the entertainment industry, what do you think you might want to do as a career?

    K: I was thinking about this the other day. I think it would be really fun to be a critic of any kind. I love experiencing things that I love or that I’m interesting in and then just talking about them forever so whether that be food or music or theater, I think that being a critic and getting to dive into something really deep consistantly would be super fun.

    T: Correct me if I’m wrong but you have identified yourself as a feminist correct?

    K: Oh yeah – hell yeah!

    T: Social media is known for being a cesspool of mysoginistic people and comments. At the same time it fosters and helps to further the feminist movement. How has social media helped or hurt feminism in your experience?

    K: In my experience I feel very lucky to be growing up in the time that I am growing up in, because I think that feminism has this insane platform now – which is super awesome, and yeah social media definitely exacerbates the sexist problems that have been happening since the beginning of time. I don’t think that it helps that it really is doing that but at the same token the voices that are being heard and the amount of exposure something can get now a days is so exponentially incredible that I think in the long run the pros of social media for feminism are totally gonna outweigh the cons of just social media being social media – life being life.

    T: What have been some of your go to item in your closet this summer?

    K: I love Rebecca Taylor she makes the prettiest dresess and flouncy tops. So into! She’s a summer staple for sure as well as these vintage Levi jeans that I got that I’ve defintely worn more often than not this summer. Just kind of having a really easy approach this summer. Keeping it simple. For the fall I get super excited and I love to layer and wear a ton of plaid and thicker fabrics and dresses and stockings — I channel my Blair Waldorf during the fall season but during the summer I just don’t care. It’s so hot and I just want to be comfortable.

    T: In your opinion what’s a piece of fahion or clothing or accessory that never goes out of style?

    K: I think that a good pair of jean. A well fitted classic denim pant. You can dress it up, you can dress it down; you can wear it in the summer or winter. That’s my go to classic.

    T: What is your favorite movie based on costume design?

    K: Marie Antoinette. That’s my favorite movie for costumes for sure. I mean just the color palette in general – that movie is just pure eye candy the whole time.

    The entire series of Feud: Bette and Joan is available on Itunes for purchase and up for pre order on

    A bittersweet tribute (Sept 26th 2917)

    What better way to honor a beloved brother than by showcasing their life’s work on the runway?

    I’m talking about Donatella Versace’s amazing tribute to her late brother Gianni.

    Versace’s Spring ‘18 show was dedicated to the creator and mastermind behind the brand – Gianni who met an untimely end, being murdered leaving his summer house in Miami back in 1997. Immediately following his sudden death, Donatella had to take over the multi million dollar brand along with running the secondary line he gifted to her in 1989-Versus.

    This past week in Milan the loud patterns pulled straight from the Versace archives (along with some new looking wild prints)walked the runway once again.

    Adding modern tweaks to these iconic designs the show, Kaia Gerber(daughter of one of Gianni’s former models Cindy Crawford)Kendall Jenner as well as both Hadid sisters, Bella and Gigi came down the catwalk like a blast from the past.

    If that wasn’t good enough to make you shed a tear on such a beautiful display of remembering someone – the end of the show was the best part.

    A curtain was pulled back revealing five of Gianni’s original girls who used to grace the stage twenty years earlier – Cindy Crawford (I adore the fact that mother and daughter were in the show together) Naomi Campbell, Claudia Schiffer, Helena Christensen and Carla Bruni wearing gold chainmail dresses. They were joined by Donatella and together walked down the runway to George Michael’s “Freedom ‘90”. It was a reaction of an iconic moment from a 1991 show and who else was in the front row to watch this phenomenal display but George Michael himself?

    If you crave more Versace history – I highly suggest reading House of Versace: The Untold Story of Genius, Murder, and Survival.

    Inspiration (part 2)


    (Moving by blog to what I hope would be an easier url to access)

    As my first post on this blog I’m going to ramble a bit because on Instagram its kind of hard to say much.

    I decided to create this blog because even though I love Instagram – the word limit sucks!

    An amazing makeup artist asked me where I get my inspiration for the photos and content I choose to post.
    I might have started my Instagram three years ago, but my passion and love for fashion (royal and the subject in general( history started when I was really small.

    The first memory I have I’m four years old and I created this outfit out of store bags. I was so happy and proud of this random jumpsuit creation I made that I showed it off to my mother and her friends.

    Sure, I was dubbed the ‘bag lady’ by them until I was well into my middle school years, but I also remember that they loved how it looked.
    I grew up around many different decades of music, fashion and culture. From my grandmother and her sister who did their respective parts during World War II (Great Aunt Jean having helped make the weapons that would be shipped overseas); To my mother and my uncles Mike and Harry who grew up during the fifties, sixties and seventies; My older brother and sister, being two completely different teens in the eighties.
    They were my first first hand accounts on what it was like to grow up in these decades. I’d sit listening to them recount everything from life changing events in history to personal anecdotes. I was instantly hooked on every word.

    I found myself in the history section of the library more times than I’d like to admit. Even though History is now one of my major passions – what originally drew me to it was the clothes that people in different periods wore. It grew from reading the various American Girls in the American Girl doll series when I was six or seven to going further–venturing from the kids section to the non-fiction. The Victorian Era was what first won my heart and it’s still a main interest of study for me. The day I read my first book on Queen Victoria was life changing at nine. From there I went onward to branch out on her family. The Romanov family was another impacting subject. It all begin with being drawn to what they were wearing. Loving the fashion and style.


    I also loved seeing what people would wear on the red carpet or in my favorite period films as I got into middle school. I learned the names Edith Head, Coco Chanel, and Christian Dior. Hand in hand with everything else I had absorbed, I found myself inspired to sew my own creations.
    My great aunt Jean was a seamstress and gave me my first sewing machine which was more exciting to get than a computer.
    One of my favorite places was our local thrift store where I would some of the most gorgeous vintage dresses. My mother didn’t care too much for my hobby – it took up a lot of space in our apartment and she’d often respond to my walking into the house, bag in hand with a ‘Another one?’

    I am excited to finally be able to share my knowledge and passion of fashion and everything that it’s connected to.